![]() ![]() The Santa Fe-based artist employs a range of materials to build organic, ovoid forms from Styrofoam and Gatorboard to which she applies wood veneers, salvaged fabric from kimonos and other clothing sources hand-woven borders from various threads trimmings and yarns, and glass beads. Ends April 14.įorging an unconventional textile practice, Minnesota native Joyce Melander-Dayton constructs mixed-media freestanding sculptures and wall-mounted reliefs from multiple elements. The oil on canvas paintings would settle nicely into a midcentury modernist home. A confident, gestural brushstroke and unconventional color sense imbue the work with a visceral pulse. ![]() Ellen Richman's non-objective paintings are sophisticated studies in color and layered geometric form. She has visually grounded two of the works by painting a geometric passage directly on the wall, a strategy that potentially undermines the strength of her elegant, reductive forms. Composed of multiple elements configured in horizontal and vertical arrangements with titles such as "Pillow Stack" and "Shadow Pillows Horizon," the works are refined and, somehow, both ethereal and monumental. Although four of her signature vases are on view, this show features wall-mounted works that combine her same intellectual precision of abstract form, surface and edge with a disciplined palette of black, white and a maize-like yellow, on which Kloppman has made her reputation. Over the past decade Minneapolis ceramist Maren Kloppman has explored the sculptural possibilities of porcelain.
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